This last panel, like #2, had more conventional possibilities for painting. The only diversion from an ordinary landscape that I included (in part because it was so conventional) was to move the shadows in contrary directions. This was an easy panel to paint; I had to pull back from some exuberant color that originally showed up. but all in all, it was pretty straightforward. At last.
And here’s a view of the full set of panels as they appeared at the Red Barn studio on December 3. These were photographed by David Lancaster, a Goldwell board member and professional photographer.